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Enmarcado en los actos conmemorativos del V Centenario de Antonio de Nebrija (1522-2022) salen a luz dos volúmenes de gran formato y cuidada factura que pretenden convertirse en una herramienta de obligada referencia y de investigación para todo aquel que se plantee navegar por la abundante y procelosa producción del gramático andaluz. Nueva Caracola del Bibliófilo Nebrisense es una concienzuda revisión de la pionera y célebre obra bibliográfica de Antonio de Odriozola, publicada en 1946, ahora ampliada en cerca de doscientas entradas y enriquecida con la edición de textos de variado interés, así como profusamente ilustrada con portadas, dedicatorias y colofones. El segundo volumen, titulado Cultura manuscrita y cultura impresa en el entorno de Antonio de Nebrija, presenta un panorama del mundo del códice manuscrito y de la imprenta material de los siglos XV y XVI, en el que han participado los especialistas Elena Rodríguez Díaz, Mª Eugenia López Varea, Julián Martín Abad, Teresa Martínez Manzano, Inmaculada García-Cervigón del Rey, Pedro Martín Baños y César Manrique Figueroa.

094 Neb --- Édition --- Imprimerie --- Manuscrits de la Renaissance. --- Nebrija, Antonio de, --- Critique et interprétation.

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ENLUMINURE MEDIEVALE --- ENLUMINURE DES LIVRES ET DES MANUSCRITS (DE LA RENAISSANCE) --- ENLUMINURE DES LIVRES ET DES MANUSCRITS (ITALIENNE) --- ITALIE --- ITALIE

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Manuscripts, Medieval --- Manuscrits médiévaux --- History --- Histoire --- Enluminure --- Manuscrits médiévaux --- Mss enluminés et à peintures --- Manuscrits a peintures --- Manuscrits de la renaissance

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Manuscripts, Medieval --- Manuscripts, Renaissance --- Manuscrits médiévaux --- Manuscrits de la Renaissance --- Congresses --- Congrès --- Beinecke Rare Book and Manuscript Library --- Congresses

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The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for ‘book’―sefer in Hebrew, biblia in Greek, and liber in Latin―was identified with sacred writings--the Holy Scriptures of Jews and Christians, who were known as ‘people of the book’. The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned & Painted, Lucy Freeman Sandler, one of one of the world’s most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library’s most precious manuscript holdings and describes the many uses and meanings of these ‘books in books’. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned & Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume.

Manuscripts, Medieval --- Medieval manuscripts --- Manuscripts --- 091.31 --- Verluchte handschriften --- 091.31 Verluchte handschriften --- Manuscripts, Medieval. --- Manuscrits médiévaux. --- Manuscrits médiévaux. --- Manuscrits de la Renaissance. --- Enluminure médiévale. --- Enluminure de la Renaissance.